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Poe (with Joseph Crespo)

by canopy

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1.
Lo! ’t is a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout, A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And seraphs sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man,” And its hero, the Conqueror Worm.
2.
Evening Star 04:28
'Twas noontide of summer, And mid-time of night; And stars, in their orbits, Shone pale, thro' the light Of the brighter, cold moon, 'Mid planets her slaves, Herself in the Heavens, Her beam on the waves. I gazed awhile On her cold smile; Too cold- too cold for me- There pass'd, as a shroud, A fleecy cloud, And I turned away to thee, Proud Evening Star, In thy glory afar, And dearer thy beam shall be; For joy to my heart Is the proud part Thou bearest in Heaven at night, And more I admire Thy distant fire, Than that colder, lowly light.
3.
Take this kiss upon the brow! And, in parting from you now, Thus much let me avow — You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand — How few! yet how they creep Through my fingers to the deep, While I weep — while I weep! O God! Can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream?
4.
I dwelt alone In a world of moan, And my soul was a stagnant tide, Till the fair and gentle Eulalie became my blushing bride- Till the yellow-haired young Eulalie became my smiling bride. Ah, less- less bright The stars of the night Than the eyes of the radiant girl! That the vapor can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie's most unregarded curl- Can compare with the bright-eyed Eulalie's most humble and careless curl. Now Doubt- now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shines, bright and strong, Astarte within the sky, While ever to her dear Eulalie upturns her matron eye- While ever to her young Eulalie upturns her violet eye.
5.
Silence 01:29
There are some qualities- some incorporate things, That have a double life, which thus is made A type of that twin entity which springs From matter and light, evinced in solid and shade. There is a two-fold Silence- sea and shore- Body and soul. One dwells in lonely places, Newly with grass o'ergrown; some solemn graces, Some human memories and tearful lore, Render him terrorless: his name's "No More." He is the corporate Silence: dread him not! No power hath he of evil in himself; But should some urgent fate (untimely lot!) Bring thee to meet his shadow (nameless elf, That haunteth the lone regions where hath trod No foot of man,) commend thyself to God!
6.
Once it smiled a silent dell Where the people did not dwell; They had gone unto the wars, Trusting to the mild-eyed stars, Nightly, from their azure towers, To keep watch above the flowers, In the midst of which all day The red sun-light lazily lay. Now each visitor shall confess The sad valley’s restlessness. Nothing there is motionless— Nothing save the airs that brood Over the magic solitude. Ah, by no wind are stirred those trees That palpitate like the chill seas Around the misty Hebrides! Ah, by no wind those clouds are driven That rustle through the unquiet Heaven Uneasily, from morn till even, Over the violets there that lie In myriad types of the human eye— Over the lilies there that wave And weep above a nameless grave! They wave:—from out their fragrant tops External dews come down in drops. They weep:—from off their delicate stems Perennial tears descend in gems.
7.
Ulalume 10:39
The skies they were ashen and sober; The leaves they were crispéd and sere— The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year; It was hard by the dim lake of Auber, In the misty mid region of Weir— It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir. Here once, through an alley Titanic, Of cypress, I roamed with my Soul— Of cypress, with Psyche, my Soul. These were days when my heart was volcanic As the scoriac rivers that roll— As the lavas that restlessly roll Their sulphurous currents down Yaanek In the ultimate climes of the pole— That groan as they roll down Mount Yaanek In the realms of the boreal pole. Our talk had been serious and sober, But our thoughts they were palsied and sere— Our memories were treacherous and sere— For we knew not the month was October, And we marked not the night of the year— (Ah, night of all nights in the year!) We noted not the dim lake of Auber— (Though once we had journeyed down here)— We remembered not the dank tarn of Auber, Nor the ghoul-haunted woodland of Weir. And now, as the night was senescent And star-dials pointed to morn— As the star-dials hinted of morn— At the end of our path a liquescent And nebulous lustre was born, Out of which a miraculous crescent Arose with a duplicate horn— Astarte's bediamonded crescent Distinct with its duplicate horn. And I said—"She is warmer than Dian: She rolls through an ether of sighs— She revels in a region of sighs: She has seen that the tears are not dry on These cheeks, where the worm never dies, And has come past the stars of the Lion To point us the path to the skies— To the Lethean peace of the skies— Come up, in despite of the Lion, To shine on us with her bright eyes— Come up through the lair of the Lion, With love in her luminous eyes." But Psyche, uplifting her finger, Said—"Sadly this star I mistrust— Her pallor I strangely mistrust:— Oh, hasten! oh, let us not linger! Oh, fly!—let us fly!—for we must." In terror she spoke, letting sink her Wings till they trailed in the dust— In agony sobbed, letting sink her Plumes till they trailed in the dust— Till they sorrowfully trailed in the dust. I replied—"This is nothing but dreaming: Let us on by this tremulous light! Let us bathe in this crystalline light! Its Sybilic splendor is beaming With Hope and in Beauty to-night:— See!—it flickers up the sky through the night! Ah, we safely may trust to its gleaming, And be sure it will lead us aright— We safely may trust to a gleaming That cannot but guide us aright, Since it flickers up to Heaven through the night." Thus I pacified Psyche and kissed her, And tempted her out of her gloom— And conquered her scruples and gloom: And we passed to the end of the vista, But were stopped by the door of a tomb— By the door of a legended tomb; And I said—"What is written, sweet sister, On the door of this legended tomb?" She replied—"Ulalume—Ulalume— 'Tis the vault of thy lost Ulalume!" Then my heart it grew ashen and sober As the leaves that were crispèd and sere— As the leaves that were withering and sere, And I cried—"It was surely October On this very night of last year That I journeyed—I journeyed down here— That I brought a dread burden down here— On this night of all nights in the year, Oh, what demon has tempted me here? Well I know, now, this dim lake of Auber— This misty mid region of Weir— Well I know, now, this dank tarn of Auber— In the ghoul-haunted woodland of Weir." Said we, then—the two, then—"Ah, can it Have been that the woodlandish ghouls— The pitiful, the merciful ghouls— To bar up our way and to ban it From the secret that lies in these wolds— From the thing that lies hidden in these wolds— Had drawn up the spectre of a planet From the limbo of lunary souls— This sinfully scintillant planet From the Hell of the planetary souls?"
8.
The Sleeper 03:29
At midnight, in the month of June, I stand beneath the mystic moon. An opiate vapor, dewy, dim, Exhales from out her golden rim, And softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night? The wanton airs, from the tree-top, Laughingly through the lattice drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringéd lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all solemn silentness! The lady sleeps! Oh, may her sleep, Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie Forever with unopened eye, While the pale sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep! Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And wingéd pannels fluttering back, Triumphant, o’er the crested palls Of her grand family funerals— Some sepulchre, remote, alone, Against whose portals she hath thrown, In childhood, many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
9.
Fair isle, that from the fairest of all flowers, Thy gentlest of all gentle names dost take! How many memories of what radiant hours At sight of thee and thine at once awake! How many scenes of what departed bliss! How many thoughts of what entombed hopes! How many visions of a maiden that is No more-no more upon thy verdant slopes! No more! alas, that magical sad sound Transforming all! Thy charms shall please no more- Thy memory no more! Accursed ground Henceforth I hold thy flower-enameled shore, O hyacinthine isle! O purple Zante! "Isola d'oro! Fior di Levante!"
10.
Dream-Land 04:24
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—Out of TIME. Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the tears that drip all over; Mountains toppling evermore Into seas without a shore; Seas that restlessly aspire, Surging, unto skies of fire; Lakes that endlessly outspread Their lone waters—lone and dead,— Their still waters—still and chilly With the snows of the lolling lily. By the lakes that thus outspread Their lone waters, lone and dead,— Their sad waters, sad and chilly With the snows of the lolling lily,— By the mountains—near the river Murmuring lowly, murmuring ever,— By the grey woods,—by the swamp Where the toad and the newt encamp,— By the dismal tarns and pools Where dwell the Ghouls,— By each spot the most unholy— In each nook most melancholy,— There the traveller meets, aghast, Sheeted Memories of the Past— Shrouded forms that start and sigh As they pass the wanderer by— White-robed forms of friends long given, In agony, to the Earth—and Heaven. For the heart whose woes are legion ’T is a peaceful, soothing region— For the spirit that walks in shadow ’T is—oh, ’t is an Eldorado! But the traveller, travelling through it, May not—dare not openly view it; Never its mysteries are exposed To the weak human eye unclosed; So wills its King, who hath forbid The uplifting of the fring'd lid; And thus the sad Soul that here passes Beholds it but through darkened glasses. By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have wandered home but newly From this ultimate dim Thule.

about

Poe is a collaboration between Matt Muirhead playing handmade mbiras and mboura (mbira/tamboura combo) and Joseph Crespo reading the words of Edgar Allen Poe, famed Baltimore poet (1809-1849). Each piece was recorded live and all rhythms and textural elements were created through hand-to-soundboard contact. The soundboard is a smooth wood surface embedded with piezos through with all Canopy's music is amplified.

credits

released October 30, 2014

Matt Muirhead, instrumental
Joseph Crespo, vocal

Album art by Matt and more can be found at www.mattmuirhead.jimdo.com .

Find him on instagram as mattmuirheadartist

#canopysongs

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Some rights reserved. Please refer to individual track pages for license info.

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canopy Baltimore, Maryland

Canopy is a Baltimore-based collaboration between Matt Muirhead and McKenzie Ditter, formed in January 2014. The duo plays improvised music on instruments they've built from scratch. Canopy's sound is inspired by EDM, world, punk, classical, and folk music and is always analog. Matt is a longtime builder of non-traditional instruments, primarily kalimba and tamboura. ... more

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